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The Raw & the Cooked
The Raw & the Cooked
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List Price: $11.98
Buy New: $0.44
You Save: $11.54 (96%)
Buy New/Used/Collectible from $0.44

Avg. Customer Rating: 4.5 out of 5 stars(based on 12 reviews)
Sales Rank: 5492
Category: Music

Artist: Fine Young Cannibals
Publisher: Mca
Studio: Mca
Manufacturer: Mca
Label: Mca
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

UPC: 076732627327
EAN: 0076732627327
ASIN: B000002O5R

Release Date: October 25, 1990
Availability: Usually ships in 1-2 business days

Tracks:

  • She Drives Me Crazy
  • Good Thing
  • I'm Not the Man I Used to Be
  • I'm Not Satisfied
  • Tell Me What
  • Don't Look Back
  • It's OK (It's Alright)
  • Don't Let It Get You Down
  • As Hard as It Is
  • Ever Fallen in Love?

Similar Items:

  • Fine Young Cannibals
  • The Finest
  • The Raw & the Remix
  • Off the Wall
  • Viva La Vida

Editorial Reviews:

Amazon.com
With The Raw & the Cooked, the Fine Young Cannibals broke into the mainstream with their particular soul-injected sound. They were seemingly infatuated with late-'50s and early-'60s Motown, and the musical influences on this album range from boogie ("Good Thing," on which Squeeze keyboardist Jools Holland goes to town with a foot-stompin' piano solo) to poodle-skirted slow dance ("As Hard As It Is," "Tell Me What"), then stretch as far as Prince-like funk ("Don't Let It Get You Down"). Possessing one of the most unusual voices in all of pop music, lead singer Roland Gift gives this album its distinction and the Fine Young Cannibals their identity. About half the songs (including the hit "She Drives Me Crazy") are graced with Gift's steady, crystal-clear falsetto, but it's his swollen-throated lower register, where he sounds like he is singing through a trumpeter's plunger mute, that really makes his voice unmistakable. --Beth Bessmer


Customer Reviews:   Read 7 more reviews...

5 out of 5 stars FYC album   March 29, 2008
This is the platinum FYC album that really put them on the map. All the tracks are winners. It is their best album.


3 out of 5 stars I keep my old CDs so I can remember this stuff   February 9, 2007
  2 out of 2 found this review helpful

The CD liner notes have an interesting series of symbols following the names of each song, then a symbol that looks like a car for all tracks. After a page with a picture, there are four pages of names and symbols. Then there are two pages of pictures, followed by three pages explaining what each symbol represents. The first one I figured out was that Jools Holland plays a piano solo. The other symbol after his name indicates that the piano solo is for the song `Good Thing.' Now I can watch the CONCERT FOR GEORGE DVD again and figure that the guy playing piano for the song `Horse to the Water' is Jools, so the person singing must be Sam Brown. When there are so many people on stage at the same time, it can take me years to figure out where I have heard any of these people before. Roland Gift does the singing on all tracks for `The Raw & The Cooked' CD from Fine Young Cannibals. David Steele and Roland Gift wrote most of the songs, except the final song, `Ever Fallen in Love' by Peter Shelley, and `It's OK (It's Alright)' by David Steele-Roland Gift-Andrew Cox.

The symbol for `She Drives Me Crazy' might be a man hitting himself in the head with a book. "Everything I do is wrong" summarizes the obsessed man who can't help himself. The same symbol follows the name of David Z after four other symbols. He gets a credit for co-production and engineer for a total of three songs. Steele/Cox/Gift get credit for production on seven other songs, but the symbols are not in the same order as the list of the ten songs on the album. Gavin Wright gets credit for strings and Dave Anderson for remix on `As Hard as it Is.' Music is a complicated business for groups that get to be this good, and somebody has to keep track of who does what. I probably never noticed before. If I didn't have my own computer now, I might not even be interested in what an icon is for. Live and learn.



5 out of 5 stars ROLAND is a GIFT STUNNING VOCALS--SIX STARS OUTTA FIVE ******   September 7, 2005
  1 out of 2 found this review helpful

ROLAND GIFT'S VOICE PROMTED ME TO BUY ANYTHING HE HAS DONE AND THE PAST FYC CDS....OF NOTE IS "AS HARD AS IT IS" AND MY LTR TO THE EDITOR FOR THE FOLKS IN THE BIG EASY 9/7/05. IF YOU MISS ROLAND, YOU ARE PASSING BY A GREAT VOICE:-) TAKE THE PLUNGE --- IF YOU HAVE NOT ALREADY, YOU WILL NOT BE ADRIFT:-) HAPPY ON THE PLATTE RIVER IN S.E. WYOMING:-)


5 out of 5 stars Fine Young Cannibals, a.k.a. the two-hit wonders of 1988   July 17, 2003
  21 out of 22 found this review helpful

The minor complaints would be that "The Raw & the cooked" has only ten songs and about 35 minutes worth of music. The bigger complain would be that the Fine Young Cannibals never put out another album as good as this 1988 effort which had its first two tracks, "She Drives Me Crazy" and "Good Thing," hit #1 on the Billboard Pop chart. FYC consisted of sing Roland Gift with a pair of former Beat members, guitarist Andy Cox and David Steele on keyboards/bass. Pegging the songs on this album into even a couple of niches is difficult because you will hear bits of everything from Motown and R&B from the past to punk and disco from the "present" in these ten songs, all fused together in a distinctive and enjoyable sound. Credit must be given to producer David Z, who had worked with Prince, Billy Idol, and others out of Minneapolis. Most of the songs were released as singles in the U.K.

Besides the first two cuts, the torch song "I'm Not the Man I Used to Be" keeps the party going on this album. But the most memorable track remains "She Drives Me Crazy," which has one of the most instantly identifiable openings of the decade and which was used to great effect in an episode of "thirtysomething" when Elliott fantasizes about what Nancy is doing after their divorce. I understand that the snare drum bit from that song is one of the most frequently sampled sounds in music history. Makes sense to me.

"The Raw & the Cooked" sold over 2 million copies and made it to the top of the album charts as well. When people talk about one hit wonders they are talking about artists where you want to have their big song but not their album. That is most certainly not the case with the Fine Young Cannibals. The only reason not to pick up this album would be because you also like some of FYC's earlier work (they only put out two albums) and you end up going with their hits collection "Finest," which has the six singles from this album.


5 out of 5 stars Eat It Up!   February 27, 2002
  28 out of 29 found this review helpful

One of the most talented groups of the eighties, FYC made only a few albums. This 1988 effort is a must, with highly original compositions similar in feeling to the great Arthur Lee and Love. Almost every song is great (although the first half is better), both for listening or dancing, particularly "She Drives Me Crazy," "Good Thing," "I'm Not the Man I Used to Be," and "Tell Me What." The emotional vocals, tight playing, and R&B/reggae beat make these completely infectious. Roland Gift has the restrained vocal passion of a Sam Cooke. Andy Cox's plucking guitar notes, superbly comped by David Steele on keyboards and some great percussive sounds, adds a unique sound to Gift's emotional vocal on "I'm Not the Man I Used To Be." On the best songs, the production is richly textured yet sparse (e.g. Al Green). For example, Steele adds some keyboard accents on "I'm Not Satisfied" then pulls off a cooking organ solo. The song, like much of the album, is imbued with R & B, reggae, funky church sounds, and James Brown passion.

"Tell Me Why" is a more mellow ska, with some nice 50's style harmonies. Track 6, "Don't Look Back," somewhat misses... it lacks the soulful hooks of the other songs but has an early 60's vocal sound and breaks into a good power guitar solo for about 10 seconds at the 2-minute mark). Overall, it's strangely likeable, as if Arthur Lee did country/Western.

"It's OK (It's Alright)" breaks into a great chorus despite it's somewhat cloying disco groove. Still, the tight work and rhythm section are impeccable and elevate the song...and again, this is great dance music! "Don't Let It Get You Down" has some annoying sound-effects over a great Prince-like falsetto by Gift. There's also a fine trumpet sound that gets into a good groove. Track 9 has a deep churchy sound (due largely to the organ), a great guitar twangling hook. Like many of their songs, it has the deep feeling of a prayer, and the yearning emotion of the best Rhythm and blues. Excellent vocals, but, towards the end of the song the overly dramatic horns and the singing veer towards self-parody (but I can imagine Elvis doing something fun with this). The last song has more strumming guitar and a big drum sound on the beat: It's a little like Talking Heads in its approach and sound, and has a taste of funk guitar.

The album fades just a bit after it's initial blast, but this is not enough to dampen my enthusiasm. Not many groups can match FYC for musical and emotional power, originality, and synthesis of R &B and reggae. It's probably one of the top 25 albums of the 1980's. Very highly recommended!

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