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Let Freedom Ring
Let Freedom Ring
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List Price: $11.98
Buy New: $8.06
You Save: $3.92 (33%)
Buy New/Used/Collectible from $6.00

Avg. Customer Rating: 5.0 out of 5 stars(based on 11 reviews)
Sales Rank: 45068
Category: Music

Artist: Jackie Mclean
Publisher: Blue Note Records
Studio: Blue Note Records
Manufacturer: Blue Note Records
Label: Blue Note Records
Format: Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 80908
UPC: 724358090826
EAN: 0724358090826
ASIN: B0000BV20X

Release Date: September 2, 2003
Availability: Usually ships in 1-2 business days

Tracks:

  • Melody for Melonae
  • I'll Keep Loving You
  • Rene
  • Omega

Similar Items:

  • Destination Out!
  • Point of Departure
  • Right Now!
  • Vertigo
  • Jacknife

Customer Reviews:   Read 6 more reviews...

5 out of 5 stars Jackie Mac's greatest album   September 25, 2008
  1 out of 1 found this review helpful

This landmark album was my introduction to the glorious altoist Jackie McLean who to this day, next to Bird & Sonny Stitt, is one of my favorite alto players. The feelings I had on listening to this album was the same I had when I heard Coltrane's "Giant Steps"--one of overwhelming passion and enthusiasm (I practically wore out the grooves on this one). The cry of his alto is so human but there is also the warmth which no one player can capture since it was McLean's own. Also like "Giant Steps", it was McLean's leap from be-bop to the modal playing of 'Trane and Ornette Coleman. From then on, his albums signified that change from "One Step Beyond", "Destination Out" to "Action". It was a sad day when he died, but his sound lives on in these brilliant Blue Note sides and in particular this ground-breaking album!!


5 out of 5 stars The Thin Line between Freedom and Chaos   September 2, 2007
  2 out of 2 found this review helpful

This was a very important album for Mr. McLean, as it was his first whole-hearted attempt to come to terms with the "freedom" that was emerging in jazz at the time. However eventhough Jackie admired some of the free jazz players and their music, he was disinclined to totally abandon the bebop (or by this time hardbop) that his mentor and hero Charlie Parker created. Combining aspects of both traditional bop (itself revolutionary for it's time) and more outside free playing would be his challenge during parts of the sixties (see "Destination Out!", "One Step Beyond", "Action", "New and Old Gospel", and particularly Grachan Moncur's "Evolution" to assess how it went). For McLean personally the new freedom of the music invigorated him, and it shows on these albums, as the one thing they all share is the sustained, jagged passion of his playing. Some might call it abrasive, but for me the word to use is most definitely passionate to describe the sound of Jackie's alto, as he emerged from under Parker's tall shadow hovering over the instrument. On this album, and on the track "Omega" in particular, we can see the wisdom of walking the tightrope of structure and chaos, something McLean would do often over the aforementioned series of albums to come. This sonic balancing act, of juggling some sort of structure with the raw emotion that outside playing allows, is exactly the sort of thing John Coltrane did on some of his very best records. However, unlike Coltrane, McLean always comes back down to earth, he regains his tenuous grip of the edge, never falling into the darkness of chaos. Along with Jackie we have the always competent Walter Davis (whose album "Davis Cup" has recently been reissued), who on this album seems to represent Bop's past, and who is an interesting foil for the leader. We also have the amazing Billy Higgins, who after working with Ornette Coleman (among countess others) definitely had a solid understanding of what Jackie was chasing. Really no other drummer was more suited (with the possible exception of Elvin Jones) for giving this album the diversity, not only in tempo, but of feeling and emotion, that "Let Freedom Ring" called for. The end result was a wonderful melding of the "in" and "out", and not unlike Andrew Hill's work, a vision for one possible course jazz might take. "Let Freedom Ring" might , or might not, be the best McLean ever committed to record, but it is a milestone, and for people who appreciate the raw emotion and desperate desire Jackie had to communicate, it will always be a place to come back to and admire.


5 out of 5 stars What would you listen to if you had no fear?   April 25, 2007
What would you play if you had no fear? What would you listen to if you didn't have to explain it to the others, to your family, to your boss? It would sound like jazz. Let freedom ring. Let play it and listen to "Omega" in particular. Give you an opportunity.


5 out of 5 stars jazzlover314   March 10, 2006
This is a great CD. I listen to it over and over and it just gets better everytime. I've been meaning to pick up some Jackie McLean since I first heard his Right Now album back in the 70's and I'm delighted. He is so inventive and creative. Another strong influence ont he CD is the drumer Billy Higgins. Somehow every thing he does seems to bring out the best in the other players.



5 out of 5 stars Let Freedom Ring   March 1, 2005
  12 out of 12 found this review helpful

Being that I'm a huge fan of Jackie McLean's straight-ahead hard bop sessions, I didn't think I would like this session when I picked it up. After popping this disc into my cd player when I got home, I could tell from the first few seconds of "Melody for Melonae" that I couldn't have been more wrong. This is definitely one of McLean's best, which says a lot since his discography is so vast. After hearing this session, you will probably wonder why the quartet on the four tracks (McLean, Walter Davis, Jr. on piano, Herbie Lewis on bass, and Billy Higgins on drums) did not become a working group because they work so well together! All four tracks on this masterpiece are gems and there's not one I favor over the others. They are all different and good in their own way. Three of the four tunes ("Melody for Melonae", "Rene", and "Omega") are originals written by Jackie. Interestingly enough, those three tunes are all written about members of McLean's family ("Melody for Melonae" is about his daughter, "Rene" is about his son, and "Omega is about his mother. That can probably explain why his playing seems to be filled with such emotion during the duration of these tracks. "I'll Keep Loving You", the other track on this cd, is a rarely-done Bud Powell ballad. All of those people who consider McLean to be too rough of an alto player will change their minds immediately after hearing the coda on this track. His playing is so tender that it kills me every time I hear it! All four of the members of this ensemble are highlighted throughout, but this is definitely McLean's show and is one of the most personal albums he ever produced. So if you're a McLean fan, a fan of Coltrane, Shorter, or Coleman, or just dig jazz with feeling, then order this gem immediately!

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