Customer Reviews:
  RIP, Bob May 16, 2008
1 out of 1 found this review helpful
What a marvelous swansong this turned out to be. Eternal Licks and Grooves is a wonderful summation of a tremendous career that spanned exotica, vocal pop, and the fickle big-band market. Highly recommended.
eternal Licks and Grooves November 9, 2007
The variety of time signitures and coordination of the variety of instruments is well above 5 stars
More of Bob Florence's Creative Spirit April 9, 2007
13 out of 13 found this review helpful
The announced release date of a new Bob Florence Limited Edition CD always brings a heightened degree of anticipation within the big band jazz community. This is because Bob Florence is arguably the pre-eminent composer/arranger in big band jazz today (and certainly among the top three). Furthermore, the Limited Edition band ranks just as highly within the echelon of large jazz ensembles. But "Eternal Licks and Grooves" (recorded in 2006 or perhaps 2005 - the Cd booklet is not clear), raised even more anticipation among big band afficionados than usual. This was probably due to the fact that the CD would contain two of Bob's most recent major compositions which had been heard in concert over the past few years. Well, now that the CD is here, it is a joy to report that it meets and even exceeds all expectations.
What must be commented on first are these major compositions, both 14 minutes in length. The title track which opens the CD is Bob's tribute to Count Basie, while "Appearing in Cleveland" which closes the CD, is Bob's tribute to Stan Kenton. These compositions are most interesting in that each draws on major themes from these bandleaders' respective repertoires, yet in the end come across as pure Bob Florence, hard-driving, cutting edge (but within limits), creative jazz which both surprises and satisfies the listener.
But in truth Bob's creative spirit shines throughout the CD, on two more Florence originals, "Mirror Image" and Guiding Star", as well as three standards, "Clair De Lune", "Invitation" and "I'm Old Fashioned". Bob's ability to start a chart slowly and build it to a dramatic climax while keeping the listener fully engaged on the road is unparalleled. "Invitation" is a prime example, opening with Bob's reflective piano solo, building through a series of theme statements and swinging solos to a roaring shout chorus. Something similar takes place on "Clair De Lune", and on the more gentle "Mirror Image."
Florence's Limited Edition is gifted with the best musicians possible, and they dig into the music with great spirit and drive, and also much deep feeling when needed. For the latter, check out Bob Carr on baritone sax and Bob McChesney on trombone on "Guiding Star", and Alex Isles on trombone on "Old Fashioned" which is one the most beautiful theme statements this listener has ever heard. The band's ensemble playing is impeccable with top drawer soloists such as trumpeters Larry Lunnetta, Ron Stout, Carl Saunders and Steve Huffsteter, trombonist Scott Whitfield, saxophonists Kim Richmond, Don Shelton, Jeff Driskoll, Tom Peterson and Bob Efford adding personal and powerful statements. Perhaps the star of the CD apart from the leader is guitarist Larry Koonse whose comping and solos add a slightly different but most effective color to the music. Be not afraid, Koonse is no rock `n roll guitar distorter! The rhythm section of Peter Erskine on drums and Trey Henry on bass drive these often complex charts with flair and driving swing.
"Eternal Licks" and Grooves" is a masterpiece 70 minute CD, perhaps slightly more accessible on initial listening than a couple of Bob's recent Limited Edition recordings. The recording quality is very clear and well balanced, though a little distant, so that one will have to turn up the volume to get the full dynamic impact of the music (especially the shout choruses). "Eternal Licks and Grooves" is highly recommended to listeners of modern big band jazz and will certainly be among the top three or four big band releases of 2007. For many listeners it will be at the top of the list.
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